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Tchaikovsky* / New Philharmonia Orchestra, Antal Dorati - Suite No.3 (CD)

8 thoughts on “ Tchaikovsky* / New Philharmonia Orchestra, Antal Dorati - Suite No.3 (CD)

  1. Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from ) () (tracks 1–11) producer: Harold Lawrence (tracks 7–11).
  2. Find release reviews and credits for Tchaikovsky: Four Suites for Orchestra - Antal Doráti, New Philharmonia Orchestra on AllMusic - Suite No. 3 for orchestra in G major, Op.
  3. Oct 27,  · Provided to YouTube by Universal Music Group Tchaikovsky: Suite for Orchestra No.3 in G Major, Op, TH - 3. Scherzo · New Philharmonia Orchestra · Antal Doráti Tchaikovsky.
  4. Pyotr Ilyich Tchaikovsky composed his Orchestral Suite No. 3 in G, Op. 55 in , writing it concurrently with his Concert Fantasia in G, Op. 56, for piano and ceinapbackrantrimulniwhisttorbestkundpusc.xyzinfo originally intended opening movement of the suite, Contrastes, instead became the closing movement of the ceinapbackrantrimulniwhisttorbestkundpusc.xyzinfo works were also intended initially as more mainstream compositions than they became; the fantasia .
  5. Tchaikovsky: The Nutcracker, Op. 71, etc.. Philips: E Buy download online. Royal Concertgebouw Orchestra & New Philharmonia, Concertgebouw Orchestra, New.
  6. Jan 01,  · This is what I consider the best of the three recordings Antal Dorati conducted of that holiday favorite, Tchaikovsky’s “The Nutcracker”. [first of many asides here: The work’s premier was 18 Dec. and was part of a double billing; a shorter ballet and a shorter opera, “Iolanta” — the opera is virtually unknown in the West, as is the rule for most Russian operas]/5(14).
  7. View credits, reviews, tracks and shop for the CD release of Suite No.3 on Discogs. Label: Philips - • Format: CD • Country: Europe • Genre: Classical • Style: Romantic Tchaikovsky* / New Philharmonia Orchestra, Antal Dorati - Suite No.3 (, CD) | Discogs.
  8. Dorati and the New Philharmonia (as was) are ideal interpreters, catching the mood perfectly. As well as the high technical standard one expects from Dorati and this orchestra (to whom much of the music will have been unfamiliar), the music is played with real affection and deep understanding.5/5(3).

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