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Viva Zapátria

9 thoughts on “ Viva Zapátria

  1. Viva Zapátria (as Murilo Antunes de Oliveira) Various - Os Grandes Sucessos Do F.I.C. 72 ‎ (LP, Comp) Fontana: Brazil: Sell This Version: Simone (3) O Trem Tá Feio.
  2. Viva Zapátria 6. Cicatrizes 7. Partido alto 8. Bom Dia, Boa Tarde, Boa Noite 9. Pesadelo.
  3. Find album reviews, stream songs, credits and award information for Cicatrizes - MPB-4 on AllMusic -
  4. VIVA ZAPÁTRIA (Sirlan/Murilo Antunes de Oliveira) Sirlan Finalistas: A VOLTA DO PONTEIRO (Roberto Lourenço da Silva/Roberto Ferreira dos Santos) Os Originais do Samba.
  5. Jan 01,  · Viva Zapátria, a song by MPB4 on Spotify We and our partners use cookies to personalize your experience, to show you ads based on your interests, and for measurement and analytics purposes. By using our website and our services, you agree to our use of cookies as described in our Cookie ceinapbackrantrimulniwhisttorbestkundpusc.xyzinfo Duration: 2 min.
  6. SIDE 2:Viva zapatria (MPB 4),Let me sing let me sing (RAUL SEIXAS),Corpo a corpo (FABIO),Mande um abraço pra velha (MUTANTES),Graus (FAGNER),Pente (O PESO) GRADING: RECORD: Excellent ceinapbackrantrimulniwhisttorbestkundpusc.xyzinfo with few visibles scuffs marks without deep scratches,plays fine only with few audibles pops without noises & ceinapbackrantrimulniwhisttorbestkundpusc.xyzinfo Rating: % positive.
  7. 1. Viva Zapátria (Sirlan Jesus - Murilo Antunes de Oliveira) - MPB-4 2. Let me sing, let me sing (Edith Nadine - Wisner Seixas - Raul Santos Seixas) - Raul Seixas 3. Corpo a corpo (Túlio Mourão - Nélson Motta) - Fábio 4. Mande um abraço pra velha (Arnaldo Baptista - Sérgio Baptista - Rita Lee - Arnolpho Lima Filho) - Mutantes 5.
  8. MPB-4 - Cicatrizes music CD album at CD Universe, enjoy top rated service and worldwide shipping.
  9. A great album by MPB-4, and one that shows them absorbing a lot of psychedelic influences, and applying them to the arrangements of their unique baroque vocal style. The record has an amazing spacey feel in its best parts – with an approach that certainly owes something to the contemporary work of Edu Lobo, and other Brazilian composers who were pushing the boundaries of pop music. .

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